Album Review: Bright Eyes ‘Down in the Weeds, Where the World Once Was’
“After a rough decade out in the wild, Oberst is home and doing what he knows best.”
“After a rough decade out in the wild, Oberst is home and doing what he knows best.”
“Whether enjoyed as a fresh musical offering or an affectionate archival excursion, ‘Candid’ is an easy album to appreciate. Its core interplay, a conversation between the old and the new, is the key to its success.”
“‘Limbo’ lacks some of the irreverent charm that drew listeners to Aminé in the first place, but there’s still plenty of perceptiveness and creativity at the heart of his approach even in this less certain, more contemplative next phase.”
“‘A Hero’s Death’ is an articulate, energetic work, bristling with moody post-punk fury, and it signals an incremental consolidation and increased sophistication to the still-green quintet’s robust, fulsome sound.”
“In its unadorned beauty, immense empathy and self-awareness, ‘Folklore’ might be Swift’s best shot at immortality so far.”
“If one person sees themselves in the anecdotes and idioms of ‘Old Flowers,’ then this is an undeniably worthwhile work. In its brightness and simplicity, though, this record’s reach is sure to be much wider than that.”
“This is an album not bogged down in specifics, yet it is bristling with fine details that tap into the universal experience of heartbreak.”
“‘Healing Is a Miracle’ represents an opportunity for pause, stillness and reflection.”
“The strength of ‘Side A’ is the acceptance of its limitations — now is perhaps not the time for rock bands to reinvent the wheel, but instead to provide some kind of solace, support or guidance.”
“Taken as a whole, ‘KiCk i’ is a delirious tour-de-force, a compilation of experiments that don’t fully cohere but still build up to an intriguing final image.”