“At 30 minutes, ‘Pre Strike Sweep’ doesn’t overstay its welcome, but instead leaves its listeners looking for the “repeat” button. Don’t make the mistake of thinking GØGGS is a mere vanity project for its members; this is the real deal.”
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“It’s hard not to listen to The Quick’s output and wonder, wistfully, what could have been.”
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“At times, ‘Beyondless’ is overwhelming in the scope of its genius, but the chord progressions that Johan Surrballe Wieth has conjured are something divine.”
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“The music of Drinks is uncategorizable, yet addictive. For those who crave something that genuinely challenges the ears, ‘Hippo Lite’ is a real find.”
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“With ‘Pinned,’ A Place to Bury Strangers shows that the band’s exploration of ‘one good idea’ continues to yield amazing results.”
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“If David Lynch had set ‘Twin Peaks’ in rural Georgia, then Bambara could have composed the soundtrack.”
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“While The Soft Moon has always released music that could best be described as ‘none more bleak,’ with ‘Criminal,’ there seems to be something like acceptance. Maybe that’s the bleakest timeline of all.”
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“These are songs that don’t feel like they’ve been corrupted by overthinking or compressed by studio gloss.”
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“De Lux excels at provoking a ‘what did he just sing?’ curiosity while you’re moving back and forth to the beat.”
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“Listening to ‘Rock & Roll (Save My Soul),’ the first track on Dirty Sidewalks’ debut album, will have a definite impact on fans of The Jesus and Mary Chain.”
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