“‘A Wrinkle in Time’ is for kids, and I mean ‘made for kids’ in the supportive definition rather than the usual lazy and disparaging connotation that’s carelessly applied to more lukewarm family films.”
“Bergman doesn’t need tricks because the simplicity of what he’s presenting will cut you to the core if you open yourself up and let it in.”
“Representation matters, and this film matters, even though it’s far from perfect. In times like these, ‘Love, Simon’ should be celebrated.”
“Milestone’s two exciting releases are a part of a larger, necessary effort to bring visibility to Weber’s cinematic labor and influence, which can no longer be ignored.”
Marshall Shaffer’s Selections for Rendez-Vous with French Cinema (March 8-18, 2018)
“As ‘Blade Runner 2049’ suggests, perhaps the way forward into a future of possibility is through a deeper investigation of the past’s secrets.”
“I contend that not only has Nolan grown as an auteur, but that he has perfectly captured a universal truth to which all may relate and celebrate.”
The Conclusion of Marshall Shaffer’s #FilmStruckFebruary
A Comparative Essay by Ellie Steiner
“I’m convinced that understanding the progression is a crucial bridge in any attempt to understand how the two distinct portions of Bergman’s filmography interact.”
“Under the direction of the gutsy Linda Söffker, the Perspektive Deutsches Kino continues to tell some of the most interesting stories at Berlinale.”
“‘Bringing Up Baby’ delves joyfully beyond the stiff pretences of modern life to reveal the wild and lustful animal that still lies beneath the surface.”
Leslie Hatton and Ciara Wardlow Discuss Cillian Murphy’s Career
“Screwball comedies don’t get much funnier, or screwier, than Howard Hawks’ ‘Twentieth Century.'”
“As both a man and an artist, Paul Robeson deserves more recognition in 2018 and beyond.”
“While nearly all Oscar-nominated shorts are doomed to eventual obscurity whether they win or not, that’s the key to one’s artistic staying power.”
Love Is Love: Peter Putzel Marries FilmStruck
“This filmmaker’s oeuvre has never been a showcase of ‘good taste’ or conventional demonstrations in character/story development, so why should we expect him to play by the rules now?”
“New York might have the physical structure where one can project themselves onto a city, but Los Angeles’ mutability allows people to graft their life into its cultural fabric.”
“‘Ajji’ successfully imparts the notion that it’s compulsory for victims to retaliate against extreme injustice by transforming into wolves.”