The Feminine Grotesque #2: Mirror, Mirror – On Bette Davis in ‘Whatever Happened to Baby Jane?’
A Series by Angelica Jade Bastiรฉn
A Series by Angelica Jade Bastiรฉn
A Series by Angelica Jade Bastiรฉn
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Did we really need another Purge film? Probably not, but did we need another film where Frank Grillo kicks ass? Yes. Absolutely yes.”
Justine A. Smith Remembers Andrzej ลปuลawski (November 22, 1940 – February 17, 2016)
A Series by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Itโs not even February, but it feels safe calling Pre Vis Action the best action film of 2016.”
“Donโt call it a comeback, call it a Reeves-urrection.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“A fever dream of marital discontent, Charlie McDowellโs ‘The One I Love’ tackles a failing marriage with sci-fi panache.”
“Atonement may always be widely regarded as Wrightโs best work, but Hanna is his bravest and most authentic (and should be remembered as such).”
“Why canโt Leia be into gold bikinis or even that fantasy of submission?”
“An incredible failure,ย ‘The Rose Tattoo’ย has value in understanding the confines of the production code and the importance of good direction.”
“A Walk Among the Tombstones beholds one of the most understated and unique performances from action hero-era Liam Neeson.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Simply put, Slow West is unlike anything out there this year and deserves to be recognized as one of the most unique works of 2015, as it only grows and develops with each viewing.”