Vague Visages Is FilmStruck: Jeremy Carr on Louis Malle’s ‘Black Moon’
“Communication — or the lack thereof — is key to ‘Black Moon.’”
Vague Visages Is FilmStruck: Jeremy Carr on David Lean’s ‘This Happy Breed’
“It is, quite simply, one of the most engaging and most charming movies ever made.”
Devious Dialogues: Mike Thorn and A.M. Stanley on ‘The Texas Chain Saw Massacre’ Franchise
Mike and Anya submitted this draft on August 25, 2017 — one day before Tobe Hooper passed away at age 74.
Vague Visages Is FilmStruck: Jeremy Carr on Anthony Mann’s ‘T-Men’ and ‘Raw Deal’
“In both ‘T-Men’ and ‘Raw Deal,’ Alton and Mann take what is already a heightened genre and somehow intensify its formal qualities.”
Devious Dialogues: Mike Thorn and Anya Stanley on Stephen King’s ‘It’
“It’s a good year to be a Constant Reader.”
Vague Visages Is FilmStruck: Q.V. Hough on Federico Fellini’s ‘8 1/2′
“The moments of realization transcend the typical viewing experience.”
Vague Visages Is FilmStruck: Jeremy Carr on Federico Fellini’s ‘La Strada’
“Fellini’s films often flourished with acute ruminations on life and society, but rarely would his work achieve this degree of pure emotion.”
Vague Visages Is FilmStruck: Bill Arceneaux on Samuel Fuller’s ‘The Steel Helmet’
“Answers don’t come easy, but they do come if you’re looking for them.”
Vague Visages Is FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’
“The film goes beyond strict and narrow generic classification and touches upon something universal, something profound about undying affection and the unreliability of reality.”
Devious Dialogues: Anya Stanley and Mike Thorn on Fox’s ‘The Exorcist’
A.M. Novak and Mike Thorn Discuss FOX’s ‘The Exorcist’!
Vague Visages Is FilmStruck: Jeremy Carr on Pier Paolo Pasolini’s ‘Mamma Roma’
“The compassion Magnani and Pasolini elicit from this affectionate portrait is manifestly sympathetic — she just tries so hard.”
Vague Visages Is FilmStruck: Bill Arceneaux on Woody Allen’s ‘Bananas’
“Maybe the best way to counter ridiculousness is with ridiculousness.”
Devious Dialogues: Anya Stanley and Mike Thorn on the ‘Alien’ Franchise
Devious Dialogues: A Horror-Themed Column by A.M. Novak and Mike Thorn
Vague Visages Is FilmStruck: Jeremy Carr on Jean Vigo’s ‘L’Atalante’
“‘L’Atalante’ is a movie defined by it moments, images and emotive strength, not its ostensible plot.”
Devious Dialogues: Mike Thorn and Anya Stanley on ‘The Exorcist’ Franchise
Devious Dialogues: A Horror-Themed Column by Mike Thorn and A.M. Novak
Vague Visages Is FilmStruck: Jacques Demy’s ‘Lola’
“Like his characters, Demy’s camera in ‘Lola’ moves everywhere but goes nowhere; it’s a paradoxically headlong hesitation.”
Looking Back at Camp Crystal Lake: Mike Thorn and Anya Stanley on the ‘Friday the 13th’ Franchise
A.M. Novak and Mike Thorn Talk ‘Friday the 13th’!
Vague Visages Is FilmStruck: François Truffaut’s ‘Shoot the Piano Player’
“Truffaut and Coutard punctuate ‘Shoot the Piano Player’ with a vibrant rendering of its wintry Parisian setting, where the city is an ever-present visual marker…”
Vague Visages Is FilmStruck: Marshall Shaffer’s #FilmStruckFebruary
Marshall Shaffer Reflects on a Full Month of FilmStruck
Vague Visages Is FilmStruck: Jeremy Carr on Yasujirô Ozu’s ‘I Was Born, But…’
“If Ozu has taught us anything, it’s that life doesn’t get any easier. But life does go on.”