“It’s an unconventional perspective, making ‘Libera Nos’ a riveting new lens on a familiar topic.”
“As a portrait of differing wartime experiences, ‘Dunkirk’ is too plot-oriented to be successful.”
“‘Amar’ is passionate without being pretentious.”
“For Lowery, cosmic-historic memory is the supernatural, and this is his translation of the myth. And it is woeful.”
“‘In Transit’ attests to the possibility of human connection and serves as a reminder to the insights Albert Maysles has given us over the last 50 years.”
“‘Jo Cox: Death of an MP’ is a difficult film that resonates now more than ever with a minority Tory government, the knock-on effects of Brexit felt.”
“There is a sense of bearing witness to history-in-the-making and of the unlikely melding of soulmates.”
“‘Whitney: Can I Be Me’ plays out like a tragedy of the most cinematic kind.”
“‘Person to Person’ posits a world where forgiveness, kindness and neighborliness are actualized by a recognition of the innate goodness of humanity.”
“In ‘Golden Exits,’ the miserable find company in the spaces they inhabit. Nothing is shared; nothing is collective.”
