Category: 2018 Film Essays

Vague Visages Is FilmStruck: Jeremy Carr on Michael Powell and Emeric Pressburger’s ‘The Red Shoes’

“‘The Red Shoes’ dynamically crosses from reality to fantasy, befitting a film that is itself a grand fiction, simultaneously reflecting and critiquing a true reality. That’s the power of cinema — that’s the power of ‘The Red Shoes.’”

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