His Blazing Automatics: The Unrelenting Horror of David Robert Mitchell’s ‘It Follows’
A Column by Dylan Moses Griffin
Of Love and Other Demons: ‘The Rocky Horror Picture Show’ (Jim Sharman, 1975)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
We Failed This Film: Ryan Gosling’s ‘Lost River’
A Column by Dylan Moses Griffin
Of Love and Other Demons: ‘Blood for Dracula’ (Paul Morrissey, 1974)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
‘The Martian’ Is a Surprisingly Light-Hearted Success for Ridley Scott
“As a piece of sweeping populist entertainment, The Martian is a great success, despite a couple of issues that perturb throughout.”
The Dueling Cavalier: Gravity of Violence in ‘Sicario’
A Column by Max Bledstein
His Blazing Automatics: Ramin Bahrani’s ‘Chop Shop’ and the New Americana Film Movement
A Column by Dylan Moses Griffin
Of Love and Other Demons: ‘Smooth Talk’ (Joyce Chopra, 1985)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
We Failed This Film: Scott Cooper’s ‘Out of the Furnace’
A Series by Dylan Moses Griffin
Of Love and Other Demons: ‘Bullhead’ (Michaël R. Roskam, 2011)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith