#Noirvember: Joseph H. Lewis’ ‘Gun Crazy’ and the Erotic Allure of Firearms
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“In a way, James White is like a dark riff on the man-child formula, but it also works as a devastating exploration of death and decay.”
“If Midnight Special does well in March, the film will undoubtedly encourage an environment in which middle-class studio releases aren’t such a rarity, because the film world needs more working class heroes like Jeff Nichols.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Currently being honoured with a retrospective at the RIDM, Andersen’s cool and measured voice emerges as a through-line in his career.”
“As premature as it might be to say in a review for an initial theatrical run, Carol more than earns the right of comparison to Brief Encounter in terms of quality. Frankly, it’s one of the new great romantic films.”
“The Wrong Man is, perhaps, Hitchcock’s most authentic film.”
A Column by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Like its eponymous character, Justin Kurzel’s adaptation of Macbeth is a film pulled in myriad directions for a sense of purpose.”