Of Love and Other Demons: A Lesbian Vampire in ‘Daughters of Darkness’ (Harry Kümel, 1971)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Column by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Column by Dylan Moses Griffin
“‘Blood for Dracula’ is confusing thematically, but I think that’s part of the point. As pulpy as it is, Morrissey’s film strongly confronts and challenges our ideas of purity and gender.”
“As a piece of sweeping populist entertainment, The Martian is a great success, despite a couple of issues that perturb throughout.”
A Column by Max Bledstein
A Column by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Series by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Column by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
A Column by Max Bledstein
“Headland’s screenplay fires a couple of blanks, which serves to only highlight some of the more token traditional rom-com tropes still on offer here. That said, when Sleeping with Other People does hit — which is a lot of the time — it’s an invigorating spicing up of formula; a winning balance of hedonism and heart that’s unapologetic about either quality.”
Jaime Grijalba on Santiago Festival Internacional de Cine
A Weekly Column by Dylan Moses Griffin
A Series by Dylan Moses Griffin
A Column by Max Bledstein
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith