Seminci 2015: In the Female-Directed Debuts ‘Princess’ and ‘Flocking,’ Tainted Lolitas Struggle for Innocence
Semana Internacional de Cine de Valladolid: Andreea Pătru on Beata Gårdeler’s ‘Flocking” and Tali Shalom-Ezer’s ‘Princess’
SPECTRE: Where Can James Bond Go From Here?
“Regardless of what comes next for our beloved spy, let us never again speak of (or be subjected to) that opening montage with the trashy, tentacle-porn horror show.”
We Failed This Film: M. Night Shyamalan’s ‘Unbreakable’
A Series by Dylan Moses Griffin
‘Spectre’ Is the ‘Star Trek Into Darkness’ of the Bond Series
“If Skyfall was arguably about the James Bond character having an identity crisis, Spectre feels like the series having one.”
Of Love and Other Demons: ‘The Devils’ (Ken Russell, 1971)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
His Blazing Automatics: The Postmodern Horror of Alfonso Gomez-Rejon’s ‘The Town That Dreaded Sundown’
His Blazing Automatics is a Vague Visages column by Dylan Moses Griffin.
Vaguebande: Life Is Beautiful – ‘Crimson Peak’ and the Image That Shook Me
A Column by Q.V. Hough (Vaguebande #2)
We Failed This Film: Jorma Taccone’s ‘MacGruber’
A Column by Dylan Moses Griffin
Dudley’s World: The Unpopular Opinion – Movies Should Be Longer
“At its best, film allows viewers to see the world through another person’s eyes, and to live for a fleeting moment in somewhere unexpected and beautiful, so wouldn’t it be wonderful if the purity of that moment could last a just little bit longer?”
Of Love and Other Demons: A Lesbian Vampire in ‘Daughters of Darkness’ (Harry Kümel, 1971)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith