“Relishing in its ability to wrong foot and thrill right to its final moments, ‘Bacurau’ is an unashamedly cinematic experience, with its makers playing in a sandbox of tropes and expectations, subverting them to put forward a radical and wholly essential message.”
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“It is during the 70s that the disaster film’s most pure and admirable entries were made, bookended by two significantly different stories involving air travel fiascos.”
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“In these increasingly confusing times, taking solace anywhere we can is more important than ever, and it’s impressively weird, intelligent movies like ‘Sea Fever’ that offer such comfort.”
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“In Australia, our cinematic art has been trying to shake us from apathy for 50 years.”
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“In order to fully engage with horror films, it’s important to look at the monster and the world that’s being upended by that monster.”
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“‘Transference’ feels like a 13-and-under science fiction-themed board game. The pieces are clearly labeled, the color design fits the genre premise and the directions are confusing.”
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“The lack of resolution inherent in the source material sets up an insurmountable task: the solution to the central crime and mystery that puts this particular story in motion.”
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“Roinsard is so preoccupied with setting up the next twist that ‘Les traducteurs’ does little to establish why viewers should care.”
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“Whannell’s ‘The Invisible Man’ is an absolute banger, and stands tall as the most spectacular evolution of the story to hit the big screen.”
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“Great art has every piece in intimate communion with the art as a whole. ‘Gretel & Hansel’ takes an elemental approach to the folklore, gasping with the fears of the original material while exhaling a new mystique of its own.”
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“Petzold’s use of fairytale is rote, but – as a piece of Sirkian high melodrama – ‘Undine’ is eminently satisfying.”
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“‘Los conductos’ announces Camilo Restrepo as a visceral talent with the substance to back up his sublime imagery.”
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“‘The Snake Pit’ became the first Hollywood film to address mental health in such a raw way, and set a standard for future films that similarly explore the topic.”
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“‘Shirley’ is not just a film about the pain and struggle of creativity for all artists, but about women particularly.”
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“‘Color Out of Space’ is proof, if any were needed, that Stanley knows what he’s doing and that he should be given opportunities more often.”
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“The demise of the conspiracy thriller pointed to a broader shift; it signalled the rise of a new credulity, a willingness to re-engage with the idea of America in spite of its reality.”
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“Diop’s feature debut is one that embraces the strange, joyous and tender moments that extend beyond boundaries and linear temporalities. Neither love nor life moves in a straight line.”
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“There is a danger and dynamism to 20s cinema which was gradually eradicated by the standardisation of production processes.”
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“Playing with of-the-moment vocabulary familiar on college campuses, the latest ‘Black Christmas’ upends several slasher conventions, even if the film is a step down from the director’s excellent ‘Always Shine.'”
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“Lewton’s insights into both childhood and adult inner personal conflicts are legacies which deserve recognition in the foundational history of horror, both for psychological thrillers and fantasy films.”
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