Chasing Chabrol: ‘La cérémonie’
“If you have an ounce of capitalist discomfort, ‘La cérémonie’ will surely begin to boil your blood, and that’s where things get interesting.”
Chasing Chabrol: ‘Les bonnes femmes’
“‘Les bonnes femmes’ pushes the boundaries of expectations, leaving the audience in a place of vulnerability.”
Review: Riley Stearns’ ‘Faults’
“Surprisingly, director Stearns spends little time navigating the physical world of ‘Faults’; he takes a minimalist approach and produces a game of psychological chess.”
The Moreau Files: ‘The Bride Wore Black’
“‘The Bride Wore Black’ has a rather deft sense of humor that raises it above many of the other brightly-lit neo-noirs of the 1960s.”
Fargo Film Festival Review: Aaron and Austin Keeling’s ‘The House on Pine Street’
“Incredibly polished and finely acted, ‘The House on Pine Street’ will surely become a hit on the film festival circuit.”
Review: Josephine Decker’s ‘Thou Wast Mild and Lovely’
“With such a powerful concoction of unconventional narrative techniques, ‘Thou Wast Mild and Lovely’ dares the viewer to touch the flame; a 95 minute summer poem of suppressed emotions and blistering paranoia.”