“Zomby’s tracks were more exciting when plugged straight into my head. His music enlightened me to how euphoric and pleasurable 8-bit sounds can be, especially when they are used not for kicks, but to project melancholy and strangeness.”
Dipankar Sarkar Interviews ‘Tales from Our Childhood’ Director Mukul Haloi
Greg Carlson Interviews ‘Black Sunday’ Author Matt Dreiling About Movie Collecting
Dipankar Sarkar Interviews ‘Choked’ Screenwriter Nihit Brave
“This adaptation of ‘Brave New World’ has little new to say, largely because its source material did the job so effectively years ago.”
“The most remarkable feature of ‘Tokyo Vampire Hotel’ is its timeliness. Though the series was released in 2017, it takes place in 2021, and something about it feels distinctly ‘2020s,’ distinctly of the cinema to come, if not distinctly of 2020 and the present moment.”
Marshall Shaffer Interviews ‘A Girl Missing’ Director Kôji Fukada
“Davis’ mandate has always been to offer solace for sad kids, but his lyrics reside more often in the inescapable experiences of pain, isolation and frustration than in the pursuit of recovery.”
Dominic Erickson Interviews ‘Bloody Nose, Empty Pockets’ Filmmaker Turner Ross
Dipankar Sarkar Interviews ‘Eeb Allay Ooo!’ Director Prateek Vats