An Interview with ‘Niharika (In the Mist)’ Filmmaker Indrasis Acharya
‘Niharika’ Interview: Dipankar Sarkar discusses the 2022 movie with filmmaker Indrasis Acharya.
‘Niharika’ Interview: Dipankar Sarkar discusses the 2022 movie with filmmaker Indrasis Acharya.
“Problems do not vanish forever, so ‘I May Destroy You’ is about the constant fight. Repetition becomes revision. Paralysis becomes progress.”
‘Urf’ Interview: Dipankar Sarkar discusses the 2022 documentary with director Geetika Narang Abbasi.
“The Danish emperor of cool has lost his clothes.”
‘Dostojee’ Interview: Dipankar Sarkar discusses the 2021 movie with filmmaker Prasun Chatterjee.
“‘The Recruit’ season 1 feels like a holiday gift to loyal Centineo fans who frequently revisit ‘To All the Boys I’ve Loved Before’ (2018) and its sequels.”
‘Shesh Pata’ Interview: Dipankar Sarkar discusses the 2022 movie with filmmaker Atanu Ghosh.
‘Pokhar Ke Dunu Paar’ Interview: Dipankar Sarkar discusses the 2022 movie with filmmaker Parth Saurabh.
‘I’m Not the River Jhelum’ Interview: Dipankar Sarkar discusses the 2022 movie with filmmaker Prabhash Chandra.
‘Powai’ Interview: Dipankar Sarkar discusses the 2022 movie with filmmaker Kuldip Patel.
‘The Road to Kuthriyar’ Interview: Dipankar Sarkar discusses the 2021 drama movie with filmmaker Bharat Mirle.
“A fatalist flick like ‘Blonde’ — which, importantly, is not a biopic — and serial killer documentaries like ‘The Jeffrey Dahmer Tapes’ can at once be exploitative and insightful. Both things can be true.”
“FX’s ‘Pistol’ stays true to the chaotic nature of the Sex Pistols and manages to sprinkle in some of that Boyle pop energy.”
‘Ghasjomi’ Interview: Dipankar Sarkar discusses the 2022 movie with filmmaker Sumantra Roy.
‘Jaggi’ Interview: Dipankar Sarkar discusses the 2021 movie with filmmaker Anmol Sidhu.
Raymond Rea Interview: Greg Carlson and the filmmaker/educator discuss movie collecting.
“‘Surviving the Cartel’ season 1 looks like a mostly-assembled jigsaw puzzle. Creator Ely Bams has everything in place and yet various pieces clearly don’t connect.”
“‘Better Call Saul’ is ultimately an interesting case study of adjacency that points to a more sustainable prequel model that television in general might wish to use in future.”
“The old silver screens have reached their limit, and even 4K will become passé. Perhaps it’s time for Hollywood and theater chains to up the ante by investing in venues and screens similar to the Volume.”
‘Pada’ Interview: Dipankar Sarkar discusses the 2022 movie with filmmaker Kamal K.M.