‘Fear Street Part One: 1994’ Soundtrack: A Vague Visages guide for every song in Leigh Janiak’s 2021 Netflix movie.
Q.V. (Quinn) Hough is Vague Visages’ founding editor.
‘Gunpowder Milkshake’ Cast: A Vague Visages guide for every main performer and character in Navot Papushado’s 2021 Netflix movie.
‘Gunpowder Milkshake’ Soundtrack: A Vague Visages guide for every feature song in Navot Papushado’s 2021 Netflix movie.
“Even though ‘Downeast’ suffers from thinly-written supporting characters, the lead performances keep the film above water.”
“A stunning and suffocating Quebecois drama, ‘Les nôtres’ spotlights the exquisite directorial form of filmmaker Jeanne Leblanc and the industry potential of lead actress Emilie Bierre.”
“‘Queen Marie’ may not be a modern historical classic, but its wink-of-the-eye moments subtly inform the audience about the filmmakers’ intent. That, I can appreciate.”
“Yimou Zhang’s ‘Cliff Walkers’ looks amazing but suffers from poorly-written characters and stiff performances.”
“‘Dope Is Death’ could’ve benefitted from more cultural context and a broader examination of the Shakur family legacy, but the 78-minute film succeeds with its specific focus on holistic healing.”
“‘Clapboard Jungle’ could not only benefit up-and-coming filmmakers, but also young writers who are serious about pursuing a career in film criticism. Passion isn’t enough. You need to understand the business side of it all…”
“Plenty of double-themed movies have been made over the years, but ‘Ride or Die’ seems like an ideal companion piece to ‘Persona.’ Both films are sexually provocative, and both require multiple viewings to better understand the perspectives of each female protagonist.”
“‘Night in Paradise’ isn’t the ideal movie for locked-down streamers, but it’s one that challenges audiences to find silver linings in dark life experiences.”
“With ‘This Is a Robbery,’ Barnicle manages to pinpoint what probably happened at the Isabella Stewart Gardner Museum on St. Patty’s Day 1990 while amplifying the long-term mystery.”
“‘Nina Wu’ isn’t just a ‘#MeToo thriller’ or ‘slow burn cinema,’ it’s a progressive spin on psychological horror and a master class in visceral visual design.”
“Bargatze delivers a strong one-hour set in ‘The Greatest Average American,’ even if he seems more interested in referencing his family and friends than owning the stage with original bits.”
“‘The Serpent’ fashions itself as a serial killer epic, but feels more like an uninspired Jacques Audiard knockoff that shows little interest in deconstructing the psychology of its subject.”
“When viewed as a character study, ‘Made You Look’ is the rare art documentary that has a re-watchable quality.”
“Whereas many Netflix acts are so clearly designed to address cultural topics A, B, and C — whether it’s politics, social media, or celebrity culture — Regan riffs away with evergreen observational humor that gives ‘On the Rocks’ a timeless quality…”
“DiCaprio’s early 90s accomplishments have been widely dismissed or ignored ever since Titanic’s Jack Dawson become a beloved movie figure amongst parents and their nostalgia-loving kids.”
“There’s a sense of magical realism that shines through in ‘Reckless Abandon,’ almost like the protagonist Duggan could be roaming about 1984 Manhattan in a dream state.”
“‘Raging Bull’ — a complex character study about methods and codes of conduct — all too often gets reductively tagged as Scorsese’s toxic masculinity sports movie that allowed De Niro to lose (and gain) weight in pursuit of an Oscar.”