Unpacking the Red Rooms of Horror
“The Red Room is something to conquer or contend with, just like the monsters of the real world.”
EP Review: Twin Peaks ‘Side A’
“The strength of ‘Side A’ is the acceptance of its limitations — now is perhaps not the time for rock bands to reinvent the wheel, but instead to provide some kind of solace, support or guidance.”
Album Review: Bambara ‘Shadow on Everything’
“If David Lynch had set ‘Twin Peaks’ in rural Georgia, then Bambara could have composed the soundtrack.”
The Return of ‘Twin Peaks’ and the Pleasures of a Myopic Anomaly
“I felt challenged to endure something so terrifying, so relentlessly destabilizing. I felt fear.”
‘Twin Peaks’ and Beyond the Alphabet
“The failure of language permeates ‘Twin Peaks,’
an abundance of verbiage disintegrating under the looming and ageless presence in the woods.”
Album Review: Jen Gloeckner ‘VINE’
“Even though Gloeckner recorded ‘VINE’ in her Dubuque, Iowa bedroom, there is nothing bare bones or lo-fi about it; her passion for her art is obvious and impressive.”
The Many Peculiar Virtues of Wes Craven’s ‘My Soul to Take’
“As the second last film in one of the great contemporary horror filmmaker’s careers, it’s an extraordinary example of artistic self-reflection and development.”
Album Review: Pavo Pavo ‘Young Narrator in the Breakers’
“Ethereal with an eye roll, Bagg seems to have materialized from a Zach Braff vision board. Her voice is soothing, a tossed-off Julie Andrews.”
Of Love and Other Demons: ‘Top of the Lake’ (Jane Campion & Garth Davis, 2013)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith