“Every frame of ‘A Hidden Life’ is informed by unapologetic inquisitiveness. It’s a breathtakingly beautiful tapestry of faith, systemic inhumanity, humility and transcendent love — made with rare sublimity and sincerity.”
“In Malick’s effort to capture the alienation that accompanies modernity, in his contemporary-set films, he ultimately achieves a similar alienation cinematically.”
“What ‘First Man’ might lack in emotionality, Chazelle more than compensates for in spectacle.”
“I’m convinced that understanding the progression is a crucial bridge in any attempt to understand how the two distinct portions of Bergman’s filmography interact.”
“As a ‘purely experimental film,’ ‘Voyage of Time’ is ultimately an extreme, sensory experience.”
“Where Indignation deviates a little from its otherwise classical trappings is in its structure.”
“Some movies are so good that when they’re over, you almost expect the whole film industry to shut down.”
Here’s Josh Slater-Williams on four underrated gems of the past year.
“Seldom more than a vehicle for Pacino to exercise his considerable (and still active) talents, Manglehorn is a string of engaging and breathtaking images that, when strung together, become a subdued meandering plot devoid of any real meaning.”
