“Nomi of ‘Showgirls’ and Betty of ‘Mulholland Dr.’ seem to be communicating with each other across space and time, from entirely different films yet resolutely from within the same universe.”
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“Where Berkeley uses excess as a contrast to the real world, Verhoeven uses it as a magnifying glass.”
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“I was taken with You Don’t Nomi’s comfortable attitude toward the complexity and ambiguity of a text that can support and sustain such wildly opposite readings.”
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“One of the most compelling things about ‘Les Diaboliques’ and its cinematic offspring is that viewers are always left with the sense that there are secrets untold, questions unanswered.”
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“‘Elle’ is a demented Rorschach test of the highest degree.”
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“It only took three decades for ‘RoboCop’ to go from a sci-fi thought experiment to prescient documentary. What do the next few hold?”
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“In a camp performance, female sexuality can be turned back around to reveal that these traditionally patriarchal ideals aren’t always as attractive as imagined.”
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