Hell Hath No Fury: How Women Dominated Horror in 2018
“The future of horror isn’t female, it’s the present. And it’s about bloody time.”
Advertisements
Advertisements
‘Hospitality’ Review: Emmanuelle Chriqui Needs More Thriller Roles
“Chriqui proves that she’s ready for the next phase in her career, whether it’s in westerns or thrillers. Take heed, Quentin Tarantino.”
VV Shudder Selects: Using the Camera to Confront the Male Gaze in ‘Revenge’
“Fargeat is almost saying, ‘well, if you want to look at her, you must look at her no matter her condition.’ It is a grotesque way of calling out the male gaze, but it is an effective one.”
How the New French Extremity Is Redefining the Final Girl
“Through buckets of blood, ruined flesh and screams, the New French Extremity is creating a cultural commentary about perceptions of gender and nihilism through the adaptation, and ultimate destruction, of an established horror trope.”
Review: Coralie Fargeat’s ‘Revenge’
“‘Revenge’ is not quietly revolutionary. It makes its message quite clear. Loud, brash, neon-colored and shot like a music video, the flick is unabashedly cool.”
Review: Fabrice Du Welz’s ‘Message from the King’ (Netflix Original)
“For the most part, ‘Message from the King’ doesn’t mess around.”
Amazon Pilot Review: ‘Point of Honor’
“Amazon Studios’ new war drama has everything it needs for a fun series about young people, but the execution falls short.”
