Manuela Lazic and Adam Nayman on Conducting Interviews and Writing about Directors
“The brooding ominousness Van Maele plays with throughout seems to run through many of this year’s European offerings.”
“Either you love the squeaky rollercoaster or you’ve got no time for the squeaky rollercoaster. Welcome to the carnival.”
“By taking the pressure off himself, Drake has freed himself up to produce his most spry, self-assured work yet.”
“AML is giant leap forward, as the juvenile raps/punchlines of previous records are replaced with deep-felt yearning.”
“With The Young One, Buñuel rejects the surrealism that would define his early films and almost all the European work that followed, presenting a rather straightforward narrative with superficial similarities to a Tennessee Williams screenplay.”
Leading up to the release of Hail, Caesar!, Vague Visages explores the work of Joel and Ethan Coen.
Q.V. Hough (@qvhough) is a freelance writer and founder/editor of Vague Visages. He graduated from Concordia College (Moorhead, MN) in 2004 with bachelor degrees in Communication-Mass Media and History, and from 2006 to 2012, Q.V. (Quinn) lived in Hollywood, California. He now resides in Fargo, North Dakota.
Q.V. Hough reviews David Ayer’s WWII drama, “Fury.”