Interview with ‘Romantic Comedy’ Director Elizabeth Sankey
Pablo Staricco Cadenazzi Interviews ‘Romantic Comedy’ Director Elizabeth Sankey
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Abel Ferrara’s ‘Pasolini’: A Poetic Disruption with Great Desires
“By the final act, Ferrara has presented both the man and the legend, but can’t seem to decide which version he wants the audience to remember.”
An Interview with ‘Somos Calentura: We Are The Heat’ Director Jorge Navas
Pablo Staricco Cadenazzi Interviews Director Jorge Navas
An Interview with ‘Take Me Somewhere Nice’ Director Ena Sendijarević
Pablo Staricco Cadenazzi Interviews Director Ena Sendijarević
Moshing Into Laughter: An Interview with ‘Heavy Trip’ Directors Juuso Laatio and Jukka Vidgren
Pablo Staricco Cadenazzi Interviews ‘Heavy Trip’ Directors Juuso Laatio and Jukka Vidgren
An Interview with ‘All These Small Moments’ Director Melissa Miller Costanzo
Pablo Staricco Cadenazzi Interviews Writer-Director Melissa Miller Costanzo
A Romanticized Tale of Time: Jia Zhangke’s ‘Ash Is Purest White’
“‘Ash Is Purest White,’ Zhangke’s latest film, is another masterful chapter of the director’s artistic journey, one that works wonderfully as a point of entry into his oeuvre.”
Dancing Through the Unease: An Interview with ‘Madeline’s Madeline’ Cinematographer Ashley Connor
Pablo Staricco Cadenazzi Interviews ‘Madeline’s Madeline’ Cinematographer Ashley Connor
IFFR 2019 Bright Future Review: Virgil Vernier’s ‘Sophia Antipolis’
“‘Sophia Antipolis’ is not a movie that will be easily digested outside of movie theaters, as it goes mostly for an aesthetic experience rather than a plot-driven story.”
IFFR 2019 Bright Future Review: Ivan Salatić’s ‘You Have the Night’
“Waves are dark in Salatić’s sea, and the sound of a constant, unavoidable motor seems to be heard within every character.”