#Noirvember: Joseph H. Lewis’ ‘Gun Crazy’ and the Erotic Allure of Firearms
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
#Noirvember: Howard Hawks’ ‘The Big Sleep’ (1946) Neuters Marlowe’s Hatred
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
#Noirvember: ‘The Dark Mirror’ and the Paranoid Double (Robert Siodmak, 1946)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘The Devils’ (Ken Russell, 1971)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: A Lesbian Vampire in ‘Daughters of Darkness’ (Harry Kümel, 1971)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘The Rocky Horror Picture Show’ (Jim Sharman, 1975)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘Smooth Talk’ (Joyce Chopra, 1985)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘Bullhead’ (Michaël R. Roskam, 2011)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘Cat People’ (Jacques Tourneur, 1942)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: Ideal Love in Cinema
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith