“‘Velvet Buzzsaw’ is nicer to look at than a urinal signed ‘R. Mutt,’ but like Duchamp’s ‘Fountain,’ I won’t be rushing to see it again anytime soon.”
“Audiard finds the real drama of the film in how the seemingly boundless promise of the land collides with the very real limitations of the human imagination and body.”
“In straining to emulate something in the order of a traditional thriller, Katz and his team of long-time collaborators find themselves sliding perilously towards the formulaic.”
“Like a modern-day Machiavelli, his amoral world-view doesn’t see the ethical shades of his actions, only the gains and losses they might occur.”
“‘Rampart’ can never step out of the shadows.”
“I can’t make any grand pronouncements or bold proclamations, except that I need to either learn to read program descriptions more critically or invest in a plane ticket to Montreal next July.”
“Neatly tied resolutions and dime-a-dozen aphorisms feel as fleeting and immaterial as a television drama, while any lasting impression must be hard-fought and pried from between the lines of the script.”
Q.V. Hough’s Top 10 Films of 2014
Q.V. Hough Lists His Favorites for the January 11 Show
Q.V. Hough on Nightcrawler and the Boulevard of Broken Dreams
