‘Saturday Night Live’ Review: ‘Owen Wilson/Kacey Musgraves’
“Michael Che talks trash from a desk (and on his Instagram stories), but who’s going to challenge the audience from the main stage with some weird, wild stuff?”
“Michael Che talks trash from a desk (and on his Instagram stories), but who’s going to challenge the audience from the main stage with some weird, wild stuff?”
‘Ordinary Joe’ Soundtrack: A Vague Visages guide for every featured song in Matt Reeves’ NBC series starring James Wolk.
“‘A Quiet Place’ masterfully builds tension, pays it off in unexpectedly satisfying ways and provokes genuine emotional investment in its characters with precious few traditional tools at its disposal.”
A Column by Max Bledstein
“If The Wrath of the Lamb doesn’t quite work as a series finale, it’s only because it wasn’t really supposed to be one.”
“Another week of Hannibal, another gripping second act septic.”
“Instead of merely asking viewers to care about a victim with whom we have no ties, Fuller tugs on our heartstrings by having his antagonist target the family of the protagonist we’ve gotten to know for nearly three full seasons.”
“If last week’s “The Great Red Dragon” was centered around the two killers who now share the villainous duties on Hannibal, “And the Woman Clothed with the Sun…” has a broader focus.”
“The sound of Hannibal has always been one of its strongest elements, thanks in large part to Brian Reitzell’s terrifying score, and the auditory depiction of Dolarhyde’s plight is no exception.”
“Digestivo” feels almost like a bottle episode due to its concentration on Mason’s Muskrat Farm, and the close quarters are the perfect setting for seeing the characters play off one another.
“Perhaps the water from the beginning of the episode points more towards resurrection than forgiveness, and if the rest of the season is as strong as “Dolce,” one can only hope Hannibal’s fate will point in the same way.”
“As the plot of Hannibal continues to move forward, it also won’t stop looking back.”
“This week’s hour was the first of the season not directed by Vincenzo Natali, and his aesthetic sensibility/attention to detail feels missing throughout the episode.”
“After the intense aesthetic focus of last week’s “Antipasto,” Hannibal’s shift in character focal point for this week’s “Primavera” brings with it a different thematic center: religion.”
“Without a definite timeline to hold onto, we’re left to focus on the visual minutiae, and, as always, this might be the most fascinating aspect of Hannibal.”
The Golden Globe Awards Air Tonight at 8/7c on NBC
VV’s Alamin Yohannes: “With the increase in television shows and amazing talents being showcased, this Golden Globes category is borderline criminal.”
The weekly viewers have been in steady decline, but NBC’s Tuesday night romcom, Marry Me, seems to be headed in the right direction as NBC ordered five more episodes.
Well doctor, I don’t know.
Q.V. Hough’s semi-rant on the brutal second episode of NBC’s “Marry Me”
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