“Some may decry Rosi’s sustained objectivity, failing to appreciate that depiction does not equal declaration or endorsement. But with that, there is in ‘Salvatore Giuliano’ a valuable sociopolitical insight…”
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A Comparative Essay by Ellie Steiner
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“Messy and real, touching and convincingly brought to the screen, ‘Daughter of Mine’ is a joyous, heart and mind-expanding film.”
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“Now free to travel, these films now face the trouble of traveling well.”
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“It’s an unconventional perspective, making ‘Libera Nos’ a riveting new lens on a familiar topic.”
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“De Sica has mentioned ‘The Shining’ and ‘Dead Poets Society’ as influences, and ‘Children of the Night’ is at its best when it favors the former.”
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“Sleek visuals and cryptic dialogue aren’t enough to save a film that’s essentially a truncated season of ‘House of Cards.'”
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“‘Indivisible’ is a fantastically imaginative coming-of-age tale, an opera of sweeping creativity and a universal human love story.”
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“In search of new worlds and experiences, this year’s FNC has been a journey from the physical world to the metaphysical.”
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“As the plot of Hannibal continues to move forward, it also won’t stop looking back.”
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“At a certain point, and you’ll know when, the dialogue takes a dramatic turn; it’s almost as if Benson decided to use every pre-production joke centered around a most obvious plot point.”
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