The “Happy” Endings of Ari Aster’s Cult Horror Duology
“If part of the horror genre’s mission is to elicit fear through the erosion of safety, then the endings of ‘Hereditary’ and ‘Midsommar’ are the ultimate expression of that mission.”
“If part of the horror genre’s mission is to elicit fear through the erosion of safety, then the endings of ‘Hereditary’ and ‘Midsommar’ are the ultimate expression of that mission.”
“The future of horror isn’t female, it’s the present. And it’s about bloody time.”
“‘Family’ is a gorgeous looking film with framing and editing that is often exquisite. It boasts a palette of rich earth tones and vivid dark colors that are beautiful but oppressive, much like the film itself.”
“Both characters are lazy, ugly sketches of deviancy, leaning on ableist and transphobic stereotypes in the place of characterisation.”
“‘Freddy vs. Jason’ is — like almost all horror movies — a signpost for the anxieties of an era, looking much like the prestige horror movies of today will look from the vantage point of the next decade.”
“What’s truly terrifying about ‘Hereditary’ is how empty it really is.”