‘Mean Streets’ Establishes Martin Scorsese as a Soundtrack Virtuoso
“With its uneven pace and fragmented narrative, ‘Mean Streets’ would not have nearly the same impact without its soundtrack.”
Once Upon a Time in Tarantinoland: ‘Reservoir Dogs’ Is an Inventive, Whip-Smart Calling Card
Welcome to John Brhel’s “Once Upon a Time In Tarantinoland” — a look back at all eight of Quentin Tarantino’s feature films. First up: ‘Reservoir Dogs.’
Jack Ascending: Nicholson’s 1980s
“There has always been a conflict at play in Nicholson’s screen presence: between ‘Nicholson’ and ‘Jack.’ The desire to be taken seriously and the lure of the riotous Jack persona have always done battle across his decades of stardom.”
Knockin’ on Heaven’s Door: Analyzing Martin Scorsese’s ‘Silence’ as a Remake of His 1967 Debut
“Scorsese’s latest film channels the same intellectual curiosity and spiritual fervor of his directorial debut, with the addition of nearly 50 years of experience in technical skill and storytelling precision.”
Martin Scorsese’s ‘Alice Doesn’t Live Here Anymore’ and Why His Female Protagonist Matters
“For a legendary director known more for gangsters, hookers, and tough guys, Alice Doesn’t Live Here Anymore stands as a remarkable chapter in the Scorsese canon.”
Review: Paolo Sorrentino’s ‘Youth’
“Akin to a melody that resonates in your mind in a continual loop of madness and pleasure, Youth is a not-so-easily eradicable experience.”