“Its vibrating self-awareness, unwieldy traveling circus vibe and mind-bending movie-within-a-movie duality allow Welles to simultaneously mock and indulge in the critically celebrated, sexually-charged, Antonioni-style, European art film.”
“How many movies have been lost or nearly lost to circumstances before a public release can provide closure for the anxious and expectant filmmaker?”
“Another stunning work of perfectly placed ellipses and calculated restraint, Pawel Pawlikowski’s ‘Cold War’ is a film filled with images as iconic and austere as its blunt title.”
“The biopic-wary should applaud ‘On the Basis of Sex’ for its avoidance of the temptation to cover a longer chronology of Bader Ginsburg’s life and career.”
“Dramatic license is so much a given that discussions of authenticity are as damned as they are damning.”
“The presence of Binoche in ‘Let the Sunshine In’ is a bit of brilliance that taunts and challenges the viewer; if Isabelle can’t find lasting, fulfilling tenderness and companionship, what chance do the rest of us have?”
“Liminality is the coin of Martel’s realm in ‘Zama,’ and she manages to make the excruciating uncertainty of the long pause an engrossing experience for the audience…”
“With ‘The Tale,’ Jennifer Fox addresses a painful subject in a straightforward and clear-eyed manner.”
“‘Can You Ever Forgive Me?’ is simultaneously suspenseful and laidback.”
“‘Scotty and the Secret History of Hollywood’ presents Bowers as a credible authority, but the breadth and depth of the anecdotes leaves it all up to the viewer to accept or reject.”
“For many, McQueen’s stylishness will help excuse the rubbery plot holes, lapses in logic and farfetched surprises that might lead some to wonder how ‘Widows’ might have unfolded as a leaner, tighter operation.”
“Patient blood aficianados who stick with the filmmaker to the final reel will most certainly receive their crimson reward.”
“For my money, David Lowery has been as much fun to watch as any filmmaker of his generation.”
Greg Carlson Interviews Grindflicks Founder Randal Black About ‘Turkish Movie Showcase: A Mega Mix of Turkish Flix’
“‘Mid90s’ has drawn some comparisons to Harmony Korine (who makes a cameo in Hill’s film) and Larry Clark’s ‘Kids,’ but Hill’s worldview is far less toxic and dangerous than the grimmest territory explored in the 1995 movie.”
“‘Filmworker’ will be sought by Kubrick completists, but the movie also appeals to anyone who has been seduced by the process of motion picture making.”
“Gaga’s mere presence in ‘A Star Is Born’ allows Cooper a wide berth to go big with scenes and moments that play with and embrace camp.”
“‘First Man’ expresses no interest in probing the complexities of space race mythologizing…”
