Coffee and Cinephilia: A Conversation with J. Hoberman
Alejandra Rosenberg Interviews J. Hoberman
In ‘Moonlight,’ Black Is the Warmest Color
“Not only does it feel true to its origins, but it also speaks to viewers from different parts of the world.”
Why Criticism: Adam Nayman’s ‘Ben Wheatley: Confusion and Carnage’
A Column on Film Criticism by Justine A. Smith
Why Criticism: The Simple Joys of Food and Film
A Column on Film Criticism by Justine A. Smith
Why Criticism: Éric Rohmer’s ‘Louis Lumière’ (1968) or Dinner Among Friends
A Column on Film Criticism by Justine A. Smith
Why Criticism: Horror’s Fight for Respect
A Column on Film Criticism by Justine A. Smith
Why Criticism: Defining New Cinema at FNC 2016
“In search of new worlds and experiences, this year’s FNC has been a journey from the physical world to the metaphysical.”
Why Criticism: The Tale of the Festival Film
A Column on Film Criticism by Justine A. Smith
Why Criticism: Writing About What You Don’t Know
A Column on Film Criticism by Justine A. Smith
Why Criticism: Queer Film Classics and ‘Forbidden Love’
A Column on Film Criticism by Justine A. Smith
Why Criticism: Joan Didion, John Wayne and Personal Brands
A Column on Film Criticism by Justine A. Smith
Why Criticism: Mark Cousins’ 50 Week Film Course
A Column on Film Criticism by Justine A. Smith
Why Criticism: Richard Dyer’s ‘White’ and Writing About Race
A Column on Film Criticism by Justine A. Smith
Why Criticism: Thom Andersen and the Critic as a Worker
A Weekly Column on Film Criticism by Justine A. Smith
Why Criticism: We Need to Talk About Short Films
A Column on Film Criticism by Justine A. Smith
Why Criticism: So, You’re Covering a Film Festival?
A Column on Film Criticism by Justine A. Smith
Why Criticism: Bechdel and Comics as Film Criticism
A Column on Film Criticism by Justine A. Smith (@redroomrantings)
Why Criticism: Jean Epstein and Photogénie
A Column on Film Criticism by Justine A. Smith
Why Criticism: The Inexpressible ‘House of Psychotic Women’ by Kier-La Janisse
A Column on Film Criticism by Justine A. Smith
Why Criticism: James Agee – From Critic to Filmmaker
A Column on Film Criticism by Justine A. Smith