“In order to fully engage with horror films, it’s important to look at the monster and the world that’s being upended by that monster.”
“Tucked in our so-called privileged positions, we need to not only hold tight but also need to learn when to engage and when to let things go.”
“Over time, a film critic should be able to engage with cinema in an all-encompassing manner, acknowledging the interior and exterior forces of what makes a movie…”
“Nicholas Brennan’s film makes a hugely convincing argument for following your dreams at all costs.”
“‘Parasite’ takes a left turn that’s so hard yet so appropriate that it’s like watching a spectacularly executed high wire act.”
“Garver doesn’t really provide more than an overview, but perhaps that will indeed bring new eyes to some great American writing.”
Yoana Pavlova on William Brown’s ‘Non-Cinema: Global Digital Film-making and the Multitude’
Alejandra Rosenberg Interviews J. Hoberman
“Not only does it feel true to its origins, but it also speaks to viewers from different parts of the world.”
A Column on Film Criticism by Justine A. Smith
