“By being so lazy and aggressive with his judgment of pop culture, Corbet ends up making a film that is bland in its anger, annoying in its attacks and ridiculous in its contempt for its characters and audience.”
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“Art is a product of its time; is it Get Out’s fault that the time mostly resembles a horror production?”
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In the second part of a three-chapter conversation conducted over months via a large Google Doc, Manuela Lazic and Adam Nayman discuss acting and how film critics interpret performances.
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“If ‘mother!’ lacks the refinement of a manifesto for a new breed of movie theater flick, it makes up for it in the audacity to be unique.”
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“In Darren Aronofsky’s ‘Black Swan’ and Nicolas Winding Refn’s ‘The Neon Demon,’ the female body is used in its most delicate and presumptuously feminine form.”
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“Reviews may be breathlessly overusing the ready-made formulation of ‘Natalie Portman IS Jackie,’ but they really should be following Sontag’s lead: Natalie Portman IS ‘Jackie.'”
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A Series by Dylan Moses Griffin
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A Series by Angelica Jade Bastién
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