“We are all mediocre writers when we start, and we must engage with others’ mediocrity throughout our careers. But we must engage with it level-headedly, picking out the good from the bad and making those distinctions to the best of our ability.”
“Under the direction of the gutsy Linda Söffker, the Perspektive Deutsches Kino continues to tell some of the most interesting stories at Berlinale.”
“While messy in parts and offering more of a sprint than a narrative marathon, there is great heart and ferocious energy in this cartoonish caper.”
“Messy and real, touching and convincingly brought to the screen, ‘Daughter of Mine’ is a joyous, heart and mind-expanding film.”
“Kiki is not the documentary that will prompt mass change or acceptance of fringe LGBTQ culture, but it doesn’t have to be.”
“Kate Plays Christine finds itself at the at intersection of reality and performance art, but no matter how fabricated the precursor, the emotional core remains intact and exceptionally powerful.”
“Like a drunken boxer shoving people outside of a nightclub, Gibney’s loud mouth is supported by his ability to knock you out.”
“Profoundly funny, shocking, sad and ultimately inspiring, Spike Lee’s Chi-Raq is the rude awakening that America needs to get its shit together.”
“An overlong melodramatic exercise in aridity, Alone in Berlin fails as a testament to the efforts of the Quangels and fails to tell a cohesive, engaging story.”
“Though separated by less than 100 miles of water, the lives of those lucky citizens of Lampedusa and those living in war-torn Africa are worlds apart.”
“Kurosawa possesses an almost supernatural ability to control his audience. “
“Like the films it contains, Hail, Caesar! mystifies its audience via otherworldly charm and magnificent grandeur — it is not a love letter to anything, it is a hymnal to the divine spirit of film.”
