“We are all mediocre writers when we start, and we must engage with others’ mediocrity throughout our careers. But we must engage with it level-headedly, picking out the good from the bad and making those distinctions to the best of our ability.”
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“Under the direction of the gutsy Linda Söffker, the Perspektive Deutsches Kino continues to tell some of the most interesting stories at Berlinale.”
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“While messy in parts and offering more of a sprint than a narrative marathon, there is great heart and ferocious energy in this cartoonish caper.”
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“Messy and real, touching and convincingly brought to the screen, ‘Daughter of Mine’ is a joyous, heart and mind-expanding film.”
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“Kiki is not the documentary that will prompt mass change or acceptance of fringe LGBTQ culture, but it doesn’t have to be.”
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“Kate Plays Christine finds itself at the at intersection of reality and performance art, but no matter how fabricated the precursor, the emotional core remains intact and exceptionally powerful.”
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“Like a drunken boxer shoving people outside of a nightclub, Gibney’s loud mouth is supported by his ability to knock you out.”
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“Profoundly funny, shocking, sad and ultimately inspiring, Spike Lee’s Chi-Raq is the rude awakening that America needs to get its shit together.”
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“An overlong melodramatic exercise in aridity, Alone in Berlin fails as a testament to the efforts of the Quangels and fails to tell a cohesive, engaging story.”
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“Though separated by less than 100 miles of water, the lives of those lucky citizens of Lampedusa and those living in war-torn Africa are worlds apart.”
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“Kurosawa possesses an almost supernatural ability to control his audience. “
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“Like the films it contains, Hail, Caesar! mystifies its audience via otherworldly charm and magnificent grandeur — it is not a love letter to anything, it is a hymnal to the divine spirit of film.”
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