Review: Debra Granik’s ‘Leave No Trace’
“‘Leave No Trace’ finds its tension in the growing gap between father and daughter as Tom’s worldview widens while Will’s closes in.”
‘Rampart’: A Season in the Abyss
“‘Rampart’ can never step out of the shadows.”
Tribeca Film Festival Review: Guillaume Canet’s ‘Rock’n Roll’
“Canet’s performance seems to come from a place of real insecurity, and the resulting film plays out like an externalized catharsis.”
Redemptive Criminality in David Mackenzie’s ‘Hell or High Water’
“The grey hue of ‘Hell or High Water’ becomes more distinguishable when juxtaposed to films with plots that are more clearly black or white.”
We Failed This Film: David Lowery’s ‘Ain’t Them Bodies Saints’ (2013)
A Series by Dylan Moses Griffin