“‘Spider-Man: Far from Home’ is a sophomoric attempt to capture the visual flair and look of the old comics; Watts fails to capture the bite and necessary substance.”
“‘Inglourious Basterds’ is a study in suspense.”
“Christopher Nolan’s ‘Dark Knight’ trilogy has become THE Batman interpretation, heralded for its gritty realism. But in my book, ‘Batman’ is the better comicbook movie.”
“Like ‘Blood Meridian,’ that epic of colonialist bloodshed along the frontier, ‘The Nightingale’ depicts a brutal historicism; a cruel world that favours no one but those who already have it. This isn’t a wish-fulfillment revenge film, but a reality check.”
“‘Fonotune: An Electric Fairytale’ can’t escape feeling like a zany music video concept, lacking the energy or plot to sustain a feature. For all the beauty and allure that FINT’s wacky film offers, the emptiness strikes hardest, possibly not in the way the director intended.”
“One of the greatest pleasures of ‘See You Yesterday’ is that the challenges and complexities of the jumps get better as the story unfolds.”
“Whenever they exist, wherever they roam, with this continuation of personality and principle, it is often as if Peckinpah’s characters were simply picked up from the past and dropped into another time, a time where the Western — and western — spirit remains.”
“That Cornish has managed to make two films that can easily be viewed as thoughtful ruminations on the state of Britain in the centre of two national crises should be applauded.”
“Rodriguez’s battle scenes and the performance capture acting of Rosa Salazar (Alita) are shining aspects of the film, but not enough to render it praiseworthy overall.”
“Sometimes, there’s a moment in your life when you’re experiencing something that perfectly intersects with a character on screen.”
