“Both films deal with maternal sexuality: The Boy punishes it and rebukes mothers for caring about anything other than their children, and The Babadook acknowledges it as difficult to balance with childcare, but an inescapable part of motherhood nonetheless.”
“Don’t call it a comeback, call it a Reeves-urrection.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Chilean writer Jaime Grijalba ranks the 2015 theatrical releases of his country.
“A cry against governmental indifference and a cruel restriction from a chosen means of expression, Taxi is a unique work of art that defies boundaries and convention.”
BFI Southbank: Anna Karina on Jean-Luc Godard and “Bande à part”
“In forgoing vérité techniques, Ricciardi and Demos make their show more compelling as entertainment and less convincing as a thorough and honest investigation of a criminal case.”
“The divine spirit of fools run deep within a film too relatively light and inconsequential to have too much staying power, but as an artistically rich Saturday morning puff piece, you could do far worse.”
Vaguebande is a column by Vague Visages founder/editor Q.V. Hough.
“‘Women in Revolt’ stands in defiance of the majority of transgender-specific cinema…”
“A fever dream of marital discontent, Charlie McDowell’s ‘The One I Love’ tackles a failing marriage with sci-fi panache.”
“A film full of warmth and dread in equal measure, Mustang serves as a reminder of the power of siblinghood in the face of adversity.”
“More than a simple condemnation of war, of which there are plenty, A War seeks to deliver a thorough examination of human behavior.”
“Energized by two charismatic leads, It’s Us beautifully explores the process of early 30s decision-making and how one deals with the consequences of questionable actions.”
“It was my first time reading Chandler, and yet it didn’t feel like it: I’d devoured so many of his influences that the writing seemed familiar, even if there was nothing quite like getting it from the original source.”
“What would the world of animation be like if Yoshifumi Kondō had lived to make another film?”
“Atonement may always be widely regarded as Wright’s best work, but Hanna is his bravest and most authentic (and should be remembered as such).”
“Why can’t Leia be into gold bikinis or even that fantasy of submission?”
“Akin to a melody that resonates in your mind in a continual loop of madness and pleasure, Youth is a not-so-easily eradicable experience.”
“As a filmmaker struggling with her own ideas, it’s a little upsetting to see a man (of the same age) come out with a fully formed idea of his own kind of cinema.”