True/False 2018 Review: Khalik Allah’s ‘Black Mother’
“Even if you do not believe in the soul, the film makes it impossible to deny the soul of a country, that which births us, grooms us, and to which we add as we live and die inside it.”
Five Films to See at Rendez-Vous with French Cinema 2018
Marshall Shaffer’s Selections for Rendez-Vous with French Cinema (March 8-18, 2018)
True/False 2018 Review: Cristina Hanes’ ‘António and Catarina’
“In ‘António and Catarina,’ the potential of youth contrasts the accumulated regrets of age.”
True/False 2018 Review: Beata Bubenec’s ‘Flight of a Bullet’
“Formally electrifying and ethically discomfiting at the same time, ‘Flight of a Bullet’ is a movie one could just as easily gawk at in wonder or endlessly debate over.”
Vague Visages Writers’ Room: Weekend Vibes 3.2.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
Days of Future Past: History and ‘Blade Runner 2049’
“As ‘Blade Runner 2049’ suggests, perhaps the way forward into a future of possibility is through a deeper investigation of the past’s secrets.”
Faith and Survival: Celebrating Christopher Nolan’s ‘Dunkirk’
“I contend that not only has Nolan grown as an auteur, but that he has perfectly captured a universal truth to which all may relate and celebrate.”
Review: Philip Gelatt’s ‘They Remain’
“Suspense and tension aren’t strictly necessary to this kind of Lovecraftian horror, but even so, the film suffocates under the weight of its own portentousness.”
Vague Visages Is FilmStruck: Marshall Shaffer on FilmStruck’s ‘Black in America’ Collection
The Conclusion of Marshall Shaffer’s #FilmStruckFebruary
On Growing Up, First Love and Learning in ‘An Education’ and ‘Call Me by Your Name’
A Comparative Essay by Ellie Steiner
Review: Alex Garland’s ‘Annihilation’
“‘Annihilation’ is far from indecipherable, as it counts on its ability to be understood.”
Vague Visages Is FilmStruck: Marshall Shaffer on Ingmar Bergman’s ‘Silence of God’ Trilogy
“I’m convinced that understanding the progression is a crucial bridge in any attempt to understand how the two distinct portions of Bergman’s filmography interact.”
Berlinale 2018: Perspektive Deutsches Kino – No Safe Space
“Under the direction of the gutsy Linda Söffker, the Perspektive Deutsches Kino continues to tell some of the most interesting stories at Berlinale.”
Vague Visages Writers’ Room: Weekend Vibes 2.23.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
Berlinale 2018 Review: Wes Anderson’s ‘Isle of Dogs’
“While messy in parts and offering more of a sprint than a narrative marathon, there is great heart and ferocious energy in this cartoonish caper.”
Berlinale 2018 Review: Laura Bispuri’s ‘Daughter of Mine’
“Messy and real, touching and convincingly brought to the screen, ‘Daughter of Mine’ is a joyous, heart and mind-expanding film.”
Vague Visages Is FilmStruck: David Pountain on Howard Hawks’ ‘Bringing Up Baby’
“‘Bringing Up Baby’ delves joyfully beyond the stiff pretences of modern life to reveal the wild and lustful animal that still lies beneath the surface.”
Review: Francis Lawrence’s ‘Red Sparrow’
“In post-Hunger Games mode, Jennifer Lawrence continues her streak of pushing the envelope.”
In Conversation: Cillian Murphy from ‘Kitten’ Braden to Tommy Shelby
Leslie Hatton and Ciara Wardlow Discuss Cillian Murphy’s Career
Berlinale 2018 Review: Cédric Kahn’s ‘The Prayer’
“‘The Prayer’ – and its strange mountain community – is oddly timeless or out-of-our-time.”