“Despite Guggenheim’s asymmetrical approach, Malala’s unquestionable bravery and youthful idealism shine through.”
Semana Internacional de Cine de Valladolid: Andreea Pătru on the recipient of the 2015 Meeting Point Audience Award.
“Lenny Abrahamson’s latest film, Room, has an incredibly unique script and one of the best performances of the year. So why is the film just good, and not great?”
“A sharp, claustrophobic study of human relationships, The Lobster puts humanity’s obsession with coupling on full display before it is bloodily dissected and rendered horrifyingly unrecognizable.”
“Meeting the specifications of both Western and Horror halfway, Bone Tomahawk gracefully undermines each in pursuit of lending credence to the other.”
“Phantasmagoric and heady, The Forbidden Room is a film torn from the past, as Guy Maddin journeys even further into his own imagination, drawing out an original and enthralling journey through a kaleidoscope of different locales, time periods and genres.”
“Office makes you wonder if more thriller-leaning filmmakers should make a foray into the musical genre. Michael Mann’s Gypsy, anyone?”
“As an empathetic machine, Beasts of No Nation tries too hard to convey the unimaginable, leaving in its place a sense of cold insouciance towards a system that is shown to be irreparably broken.”
“Thanks to the skilled hand of director Kusama (Girlfight, Jennifer’s Body), The Invitation is a deeply uncomfortable but also eerily funny skewering of the hostility that can lurk under the veil of hospitality.”
“The film reveals the importance of communication in love, but perhaps even more, the importance of empathy and understanding.”
