Why Criticism: Joan Didion, John Wayne and Personal Brands
A Column on Film Criticism by Justine A. Smith
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At the Cinémathèque: Jean-Luc Godard Finds Pleasure In Estrangement with ‘Passion’
“Centered on a made-for-television film, ‘Passion’ blends the far reaches of Western art with the birth of new mediums.”
Of Love and Other Demons: ‘American Gigolo’ (Paul Schrader, 1980)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: Mark Cousins’ 50 Week Film Course
A Column on Film Criticism by Justine A. Smith
At the Cinémathèque: ‘In the Realm of the Senses’ (Nagisa Ôshima, 1976)
“In the forbidden, Oshima reveals the fear of our own meaninglessness and our inability to face death as a certainty.”
Of Love and Other Demons: ‘Hardcore’ (Paul Schrader, 1979)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
The Style, Sins and Sympathies of Robert Bresson’s ‘Au hasard Balthazar’
Jeremy R. Carr on the 50th Anniversary of Robert Bresson’s ‘Au hasard Balthazar’
More Serious Than Love: Éric Rohmer’s ‘A Summer’s Tale’
“The film identifies the dark heart of summer, the humid stagnation and sense of dread that is the season’s essence.”
Mood and Character in Brady Corbet’s ‘The Childhood of a Leader’
“‘The Childhood of a Leader’ may not behold a traditional narrative, yet Corbet’s auterist style creates a memorable visceral effect.”
Why Criticism: Richard Dyer’s ‘White’ and Writing About Race
A Column on Film Criticism by Justine A. Smith