Recap: Girls ‘Japan’
“Damn, this season of Girls is good.”
“Damn, this season of Girls is good.”
“This week’s Vinyl was actually good! Pop some champagne! Cut up some lines of coke on the desk! Cue the orgy!”
A Jeff Nichols Retrospective by Dylan Moses Griffin
A Series by Angelica Jade Bastién
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“‘The Race Card’ succeeds, perhaps better than any other episode in the strong season, by refusing to shy away from the hypocrisy prevalent on both sides of the O.J. case.”
“A vivid and lavish feast for the eyes, A Bigger Splash takes an assemblage of indescribably talented actors and puts them in a pressure cooker of sex and vice.”
“Louder Than Bombs may be the first foray into (fully) English-language features for Norwegian director Joachim Trier and his regular screenwriting partner Eskil Vogt, but it absolutely feels like a logical progression of their impressive prior collaboration, the sombre Oslo, August 31st.”
“Breaking the mold and raising his cinematic voice by embedding black intimacy in his movies, Coogler, in Creed and Fruitvale Station, uses mothers, girlfriends, children, squads of friends and Michael B. Jordan to create community.”
“She’s created a dialogue, even a dialectic, of what kind of power identity has.”
“The series may not be as wild and crazy as its earlier and edgier self, but the even strain continues to fit neatly with the theme of maturation.”
“The thing about Vinyl is that, if it was good, the series would be a lot more fun to watch.”
A Jeff Nichols Retrospective by Dylan Moses Griffin
“As the saying goes, if it ain’t broke, don’t fix it.”
A Series by Angelica Jade Bastién
A Series by Angelica Jade Bastién
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Triple 9 probably won’t go down as one of the great heist films on par with Die Hard or The Italian Job, but it might.”
“It’s a touching depiction of a bond between sisters, but it doesn’t really create such a bond with viewers.”
“Kiki is not the documentary that will prompt mass change or acceptance of fringe LGBTQ culture, but it doesn’t have to be.”