“Filled with powerful female-led moments, laid on the backdrop of the Icelandic countryside, Hákonarson’s crowd-pleasing humanist creation strengthens Iceland’s reputation within the international film circuit.”
“Even though ‘The Psychic’ and ‘The Black Cat’ don’t exist as prominently in the cultural consciousness as ‘The Texas Chainsaw Massacre’ and ‘Halloween,’ there is a sense that the Final Girls do exist in the wider world of horror…”
“In the end, there can be no simple feelings of joy or satisfaction in seeing Batman defeat the Penguin — in seeing the good guy defeat the bad guy — because who’s the winner here, really?”
Part Two of a Four-Part Disaster Movie Series by Bill Bria
“As with the underlying creed of Trances, the unambiguous intent of Redes’ communal message resonates in its country of origin and around the world, communicating the pleas for justice, egalitarianism and independence that are vital facets of life and are so often central to the best of all cinematic documentaries.”
“‘Ghost in the Shell: SAC_2045’ attempts to move the series into full octane action but pushes its philosophical roots to the side.”
“While ‘Teorema’ and ‘Visitor Q’ share a common DNA, what’s most striking is the way each film uses The Stranger. Both figures bring with them a kind of new order, as if they were missing puzzle pieces for the families that they integrate themselves into.”
“As a genre exercise, ‘Z’ shows promise for what Christensen might do with a higher budget.”
“Taken purely at its basest form, ‘Vivarium’ is a terrifying isolation horror movie that goes for the jugular.”
“In ‘Night Falls on Manhattan,’ Lumet arrives at acceptance — the system is what it is. He is resigned to his inability to chronicle any meaningful change through his work.”
“One of the most accomplished elements of ‘Le choc du futur,’ which is Collin’s feature debut (he is better known as covers project Nouvelle Vague’s co-founder), is the way the film engages in an ongoing conversation on the nature of art and how we consume it as well as create it.”
“Politically motivated but never preachy — and loaded with enough blood, guts, and intestines to satisfy even the thirstiest gore-hounds — ‘Blood Quantum’ is a zombie movie for the ages that honors the grandest traditions of the genre while remaining true to its own unique essence.”
“‘Yi Yi’ is a film for grown ups in the sense that the characters have lived long enough to understand how memories of people can stay with them over the course of their lives. Keeping your distance from people is not the same as giving up on them.”
“‘Ema’ is a challenge to the walls we build around ourselves, to the baggage we leave behind for our children and the folly of the damage we can do to each other.”
“‘Broken Bird’ may be only 10 minutes long, but the rhythms, characterizations and thematic interests make it feel like a richly detailed feature-length accomplishment.”
Alistair Ryder Interviews South African Filmmaker Oliver Hermanus About ‘Moffie’
“By focusing on three elderly Ushimado residents, Sôda has unconsciously managed to both comment on the present and the past, as the subjects seem like relics or museum articles that have come to life through monochromatic photography.”
“Haley Bennett’s central performance is career-best work.”
“Revolving around an encounter in a single Russian apartment, Kirill Sokolov’s ‘Why Don’t You Just Die?’ is an electrifyingly-kinetic black comedy with densely-packed homages to international action cinema and a satirical commentary about Russian society.”
“‘Echoes of the Invisible’ is both calming and exhilarating in equal measure.”
