Soundtracks of Cinema: ‘I Know What You Did Last Summer’
‘I Know What You Did Last Summer’ Soundtrack: A Vague Visages guide for every song in Jennifer Kaytin Robinson’s 2025 movie.
This category is a Vague Visages archive for movie, TV and music content from the 2020s.
About Vague Visages:
Mission: Vague Visages aims to publish high-quality writing about world cinema and culture. The site maintains a balance of indie and mainstream coverage, allowing for a unique blend of perspectives.
Origins:ย Inspired by the cinema movement known as La Nouvelle Vague, Q.V. Hough created an image-based blog called โFaces of the French New Waveโ in 2014. For a creative twist, the siteโs name quickly changed to โVague Visagesโ (aka Wave Faces) in honor of French New Wave filmmakers and American indie filmmaker John Cassavetes (director of the 1968 film Faces).
Shift to Film Criticism:ย Q.V. moved Vague Visages from Blogger to WordPress in late 2014, using the French publication Cahiers du cinรฉmaย as a thematic model.
About Q.V. Hough:
Q.V. (Quinn) Houghย is Vague Visagesโ founding editor and a Rotten Tomatoes-certified film critic. After graduating fromย Concordia College (Moorhead, Minnesota) in 2004 with degrees in Communication-Mass Media, History and Classical Studies, he lived in Hollywood, California from 2006 to 2012. Q.V. worked closely with ABC On-Air Promotions as the production manager for LUSSIER. He previously co-hosted Concordia On-Air for three semesters before moving to Los Angeles.
In 2014, Q.V. founded Vague Visages.ย While developing the site, he wrote 600 video scripts and one e-book for WatchMojo (2014-17), along with 2,000 articles for Screen Rant (2018-21).ย Q.V. has also written for RogerEbert.com,ย Fandor and Crooked Marquee. He committed to Vague Visages full-time in August 2021.
E-Mail: qvh@vaguevisages.com
Twitter: @QVHough
Instagram: @QVHough
LinkedIn: @QVHough
‘I Know What You Did Last Summer’ Soundtrack: A Vague Visages guide for every song in Jennifer Kaytin Robinson’s 2025 movie.
“‘Plainclothes’ isn’t necessarily a kinky film — ย it just does better than most tales of life in the closet to explain why this can be more alluring than coming out and finding somewhere to make these connections in the open.”
‘Chad Powers’ Soundtrack: A Vague Visages guide for every song in Glen Powell and Michael Waldron’s Hulu series.
‘The Lowdown’ Soundtrack: A Vague Visages guide for every song in Sterlin Harjo’s FX series.
‘Freaky Tales’ Soundtrack: A Vague Visages guide for every song in Anna Boden and Ryan Fleck’s 2024 movie.
‘Swiped’ Soundtrack: A Vague Visages guide for every song in Rachel Lee Goldenberg’s 2025 Hulu movie.
“The ‘Alien: Earth’ season 1 finale, ‘The Real Monsters,’ is a violent disruption in the franchise canon.”
“‘Waltzing with Brando’ suffers from a sluggish rhythm and lack of narrative drive because it focuses on the wrong character and the wrong aspect of the subject’s life.”
“As politics continue to divide people via blinding shades of blue and red, Andrea Bocelli transcends above the madness by communicating whatโs in his heart.”
“‘Donโt Tell Mother’ is an assured debut, less concerned with plot points than with the tremors of lived moments rippling through its gently stirring narrative.”
‘Swiped’ Cast: A Vague Visages guide for every actor and character in Rachel Lee Goldenberg’s 2025 Hulu movie.
“‘Doinโ It’ is caught in the bind of being too obnoxious for adults and too unrelatable for younger viewers.”
“Under Hawleyโs watchful eye, the episodic progression from โThe Fly” to โEmergenceโ is the most seamless transition of ‘Alien: Earth’ season 1.”
‘Black Rabbit’ Cast: A Vague Visages guide for every actor and character in Zach Baylin and Kate Susman’s 2025 Netflix miniseries.
“In ‘One Battle After Another,’ the political is inextricable from the personal, in a way that transcends a mere commentary on Trumpโs America.”
“Perhaps the most disappointing aspect of ‘HIM’ is that Tipping is clearly a talented visual stylist, but his keen eye never quite helps the screenplay transcend various cliches.”
“Just like a Hollywood actor or actress who doesnโt quite know when to stop performing amongst family members and friends, ‘Borderline’ is frequently annoying yet always entertaining and unpredictable.”
“‘Somnium’ is rather predictable, as first-time feature filmmakers like Cain tend to prioritize visual design over the nuts and bolts of their script.”
“The biggest problem with ‘The Smashing Machine’ is that Safdie simply doesnโt bring anything new to the table in terms of style or ideas.”
“With ‘Below the Clouds,” Rosi makes it clear that history and the present interact every day.”