The Brutalist soundtrack includes songs by Eddy Arnold, Mina and La Bionda. This info article contains composer and music supervisor details for Brady Corbet’s 2024 movie. Check out Vague Visages’ Soundtracks of Cinema category for more soundtrack song time codes and track listings.

The Brutalist stars Adrien Brody as László Tóth, a renowned Hungarian-Jewish architect. Felicity Jones co-stars as Erzsébet Tóth, the protagonist’s Oxford-educated wife who survives the Holocaust. The storyline follows László as he pursues his professional goals with dealing with trauma and financial issues. Composer Daniel Blumberg (The World to Come) scored the 214-minute film; music supervisor James A. Taylor (Wonka) selected the featured needle-drops. Here’s every song in The Brutalist.

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The Brutalist Soundtrack: Every Song in the 2024 Movie

• “Bouquet of Roses” by Eddy Arnold (00:13:00): Attila (Alessandro Nivola) brings Lászlo to his furniture store. The Brutalist soundtrack song plays from the speaker system. Audrey (Emma Laird) admires her display work.
• “Rumba Azul” by Nilla Pizzi (00:16:00): Audrey inquires about László’s nose. Music plays lightly in the background. László says, “I jumped from a railcar.”
• “Little White Lies” by Dick Haymes & Ian Bernard (00:19:00): Attila talks to László about being Catholic. The Brutalist music plays from a speaker system. László reads a letter from Erzsébet.
• “William Tell Overture” by Spike Jones & His City Slickers (00:25:00): Audrey stands outside her furniture store with Lászlo. The Brutalist soundtrack song continues during a transition sequence. László practices his English while shaving.
• “Buttons and Bows” by Dinah Shore & Her Harper Valley Boys (00:32:00): László chats with Attila about needing $2,000 worth of materials. A transition sequence begins. László drinks alcohol while watching Attila dance with Audrey.
• “It’s So Nice to Have a Man Around the House” by Dinah Shore (00:34:00): Attila asks László to dance with his wife. Audrey says, “He doesn’t want to.” László reluctantly agrees to dance with his cousin’s wife.
• “To Each His Own” by Eddy Howard (00:51:00): László speaks to Gordon (Isaach De Bankolé) about not wanting to be viewed as a beggar. The Brutalist soundtrack song continues during an exterior montage sequence. László spots a black vehicle.
• “So Tired” by Russ Morgan (00:53:00): László visits a diner with Harrison (Guy Pearce). The Brutalist music plays from the speaker system. Harrison expresses his appreciation for László’s architectural work.
• “A Little Night Music: Serenade No. 13 in G Major, K. 525: IV. Rondo Allegro” by Wolfgang Amadeus Mozart (01:22:00): László meets with Harrison. An orchestral piece plays lightly during an interior scene. Harrison talks about “a vision.
• “You Are My Destiny” by Mina (02:35:00): László learns about a party. The Brutalist soundtrack song continues during a transition sequence. László dances with Harrison’s daughter, Maggie (Stacy Martin).
• “One for You, One for Me” by La Bionda (03:15:00): Older Zsofia (Ariane Labed) speaks in Venice in 1980 at a public event for László. She says, “No matter what the others try and sell you, it is the destination, not the journey.” The track scores the film’s final moments and end credits.

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The Brutalist soundtrack also includes:

• “L’onorevole Bricolle” by Clara Jaione Con Orchestra

Q.V. Hough (@QVHough) is Vague Visages’ founding editor.