‘Zama’: Lucrecia Martel Gets Delirious
“Liminality is the coin of Martel’s realm in ‘Zama,’ and she manages to make the excruciating uncertainty of the long pause an engrossing experience for the audience…”
“Liminality is the coin of Martel’s realm in ‘Zama,’ and she manages to make the excruciating uncertainty of the long pause an engrossing experience for the audience…”
“Uchoa and Dumans’ distanced, matter-of-fact portrayal of their vagabond renders ‘Araby’ an elusive and open film. It’s particulars aren’t always announced, because — as with Bresson — the text ask viewers to meet it where it stands.”
“Esti plunges herself into the terrifying uncertain place between obedience and disobedience, and it is her courage to stay there — to be defiantly out-of-sync — that powers Lelio’s arresting film.”
Manuela Lazic and Adam Nayman on Conducting Interviews and Writing about Directors
“‘Zama’ is the kind of historical film that refuses to concede even the smallest positivity to the history in question.”