In Real Life: ‘Slender Man’ and the Clash of Media
“Just as the internet unleashed the Slenderman, it is culpable in bringing forth another seductive monster who uses this technology to warp minds and sow division…”
Photo Essay by Andy Witchger: Superorganism at Minneapolis’ First Avenue
“While Superorganism’s sound channels psych-pop reminiscent of mid-era Flaming Lips and the youthful glee of Architecture in Helsinki, Noguchi delivers casual observations with an adolescent malaise akin to Stephen Malkmus. The results are beautiful, buoyant and occasionally baffling.”
Fantasia Film Festival 2017 Wrap-Up: My Festival vs. Your Festival
“I can’t make any grand pronouncements or bold proclamations, except that I need to either learn to read program descriptions more critically or invest in a plane ticket to Montreal next July.”
Album Review: Temples ‘Volcano’
“‘Volcano’ is overflowing with lyrics that are evocative and often alluringly nonsensical.”
Why Criticism: Adam Nayman’s ‘Ben Wheatley: Confusion and Carnage’
A Column on Film Criticism by Justine A. Smith
Why Criticism: We Need to Talk About Short Films
A Column on Film Criticism by Justine A. Smith
Two Drink Minimum: Bo Burnham’s ‘Make Happy’ (Netflix)
“When the red, white and blue lights go off, one can begin to understand that Burnham hasn’t put together a comedy special, but a deconstructive stage play of epic proportions.”
