“The questions ‘New Money’ poses are numerous and mostly left unanswered. The film is scattershot at times and tonally inconsistent throughout, flirting with elements of a crime thriller and a goofy comedy.”
Yoana Pavlova on William Brown’s ‘Non-Cinema: Global Digital Film-making and the Multitude’
“‘Borg vs McEnroe’ loses momentum during its tennis sequences, but that’s just a minor complaint. Advantage LaBeouf.”
“Horror fans may need to adjust their expectations if they’re looking for more frights than laughs.”
“Sisters is a house party film told by and from the perspective of women, and that is precisely why it succeeds.”
“Despite Guggenheim’s asymmetrical approach, Malala’s unquestionable bravery and youthful idealism shine through.”
“A surprisingly funny and sharp-witted caricature of mass-produced horror, The Final Girls is the product of cult film iconography and our culture’s obsession with the ironically good.”
“Plunging into the depths of love, loss, addiction, family and life aspirations, Finders Keepers is far more than the story of a smoked left foot.”
“The Buñuelian meets the Duplassian in The Overnight, a chamber comedy of social and sexual manners from director Patrick Brice (2014’s Creep).”
“This recurring theme of women fighting against their suppression and abuse at the hands of men who fear them, despise them, or sometimes both, is by far the most interesting aspect of When Animals Dream.”
