Spectatorship and the Camera: Sophie Hyde’s ’52 Tuesdays’
“With a masterful sense of direction, ’52 Tuesdays’ triumphs by turning the camera around to create a self-reflexive and unique film.”
“With a masterful sense of direction, ’52 Tuesdays’ triumphs by turning the camera around to create a self-reflexive and unique film.”
“The 68th Primetime Emmy Awards have helped shake up the industry with its most explicitly progressive and comedic self-congratulating.”
“The show is moving without being sappy, fast-paced without feeling like it runs at anything other than the speed of life, and insightful without being driven by political messages.”
“Building on the impressive groundwork laid by Season One, the first half of the new season provides a closer look at the trials and tribulations of the Pfefferman clan and also zooms out, giving Transparent both an emotional claustrophobia and a wide canvas.”
“At its best, film allows viewers to see the world through another person’s eyes, and to live for a fleeting moment in somewhere unexpected and beautiful, so wouldn’t it be wonderful if the purity of that moment could last a just little bit longer?”
VV’s Alamin Yohannes: “With the increase in television shows and amazing talents being showcased, this Golden Globes category is borderline criminal.”