Review: James Franco’s ‘The Disaster Artist’
“The Hollywood dream lives on proudly in ‘The Disaster Artist.’”
Ebertfest 2016: Sound Some Opinions
Jacob Oller on His First Ebertfest
Donald Trump, ‘London Has Fallen’ and the So-Bad-It’s-Good Candidacy
“A once-pure appreciation of misplaced passion, the hallmark of so-bad-it’s-good entertainment has been capitalistically leveraged.”
VOD Review: Todd Strauss-Schulson’s ‘The Final Girls’
“A surprisingly funny and sharp-witted caricature of mass-produced horror, The Final Girls is the product of cult film iconography and our culture’s obsession with the ironically good.”