Vague Visages Is FilmStruck: Jeremy Carr on Louis Malle’s ‘Black Moon’
“Communication — or the lack thereof — is key to ‘Black Moon.’”
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The Moreau Files: ‘The Bride Wore Black’
“The Bride Wore Black has a rather deft sense of humor that raises it above many of the other brightly-lit neo-noirs of the 1960s. The irony does not come from the film’s anti-style, but rather in the brazen reversal of gender roles and Moreau’s deadpan delivery.”