‘Copenhagen Cowboy’: Something Is Rotten in Denmark
“The Danish emperor of cool has lost his clothes.”
Tearing ‘Hellraiser’ Apart to Its Artistic Core
“Hellraiser’s creators channel the works of Francis Bacon, Walter Sickert, Allen Jones and Zdzisław Beksiński. These impressionist and surrealist craftsmen, like Barker and Randel, expose the horrors of their lifetime to the populace at large.”
Making Sense of the Bullocks: Examining the Punk Unpleasantries of ‘Pistol’ and ‘Sid and Nancy’
“FX’s ‘Pistol’ stays true to the chaotic nature of the Sex Pistols and manages to sprinkle in some of that Boyle pop energy.”
The Volume: The Final Stage
“The old silver screens have reached their limit, and even 4K will become passé. Perhaps it’s time for Hollywood and theater chains to up the ante by investing in venues and screens similar to the Volume.”
Review: Matt Reeves’ ‘The Batman’
“The end results of ‘The Batman,’ while acceptable, are insufficiently satisfying, largely because the gritty realism overtakes the story itself.”
‘House of Gucci’: A Disappointing Oddity
“Right from the get-go in ‘House of Gucci,’ it’s clear that something is amiss.”
Review: Ridley Scott’s ‘The Last Duel’
“The ‘cinematic’ moviegoing experience is gradually taking shape once more, not just the notion of spectacle, but stimulation of the mind and conscience.”
Review: Clint Eastwood’s ‘Cry Macho’
“While ‘Cry Macho’ succeeds with the set-up character scenes, it fails with its overall execution.”
Review: David Lowery’s ‘The Green Knight’
“The Green Knight’s impactful imagery and intensity outweigh its sometimes overly cryptic metaphors, allowing for quality entertainment.”
A Quest for Happiness: On Neil Jordan’s ‘Mona Lisa’
“‘Mona Lisa’ was ahead of its time, a precursor of urban fairy tales in late 90s British cinema.”
Netflix Review: ‘Godzilla Singular Point’ Season 1
“Previous incarnations of Godzilla worked best by implanting ideas that were tangible. However, in the world of ‘Godzilla Singular Point,’ the ideas prove to be non-existent, as do the inhabitants.”
Amazon Prime Review: ‘Invincible’ Season 1
“Comic book adaptations are by no means an easy task, but Robert Kirkman and his co-producers achieve a soaring success with the Amazon Prime series ‘Invincible.'”
Netflix Review: Joe Wright’s ‘The Woman in the Window’
“While Wright’s stylized execution is impressive, ‘The Woman in the Window’ is a yarn that never fully grabs its audience by the jugular.”
Netflix Review: ‘Dota: Dragon’s Blood’ Season 1
“‘All these books, all this magic, yeah, they have potential. But what exactly is ‘DOTA: Dragon’s Blood’ trying to say?”
Review: ‘Zack Snyder’s Justice League’
“In an era where Disney allows Marvel to experiment boldly with narrative structures in a show like ‘WandaVision,’ ‘Zack Snyder’s Justice League’ seems like a tired old horse that needs to be put out to pasture.”
VVoices: Best Pandemic Movies
VVoices #3: Film Critics Discuss the Most Effective Pandemic-Themed Movies
VVoices: What Is Gatekeeping?
VVoices #2: Film Critics Discuss Gatekeeping
Review: Ben Hozie’s ‘PVT Chat’
“In ‘PVT Chat,’ the half-baked attempts to create thematic through lines and symbolism prove to be the greatest flaws.”
VVoices: What Is Auteur Theory?
VVoices #1: Film Critics Discuss Auteur Theory
The Birth of Suzuki Action and Style: ‘Youth of the Beast’
“While Suzuki’s overly-stylized and sometimes incomprehensible films ultimately led to his termination from Nikkatsu in 1968, his legacy safely lives on in modern day Japanese cinema…”