“Fiala and Franz, who also co-wrote ‘The Devil’s Bath,’ aren’t interested in making viewers feel comfortable. What they’ve crafted, even more so than their breakout hit, is a tough, distressing watch by design.”
“Being multiple things at once is what makes Everett’s novels, but also his other art, so intriguing. ‘Through the Writer’s Mirror’ is its own process of plate spinning. It is its own juggling act.”
“‘Edge of Everything’ straddles the line of original storytelling and coming-of-age tropes like its teenage protagonist straddles the line between adolescence and adulthood.”
“‘Mi fanno male I capelli’ communicates an important message about the theatrical movie experience that cinephiles will appreciate: some people find inner peace through the outdoors, while others experience closure and rebirth in dark places.”
“Many of the best crime films make a virtue of the specificity of their location. Few, however, are as specific as ‘Salvatore Giuliano,’ nor are they as cognizant of how the central locations effect the story.”
“‘Enea’ is full of rich character development, yet the protagonists and antiheroes seem like archetypal figures dropped into a real world setting inhabited by naturalistic side players.”