“Love on Trial’s opening two acts integrate personal drama into a subtly scathing social critique, but Fukada’s narrative loses power when the heroine must contend with the dark price of fame.”
“‘I Only Rest in the Storm’ is a succinctly angry film in large part because Pinho knows it doesn’t offer a reassuring explanation about its myriad themes.”
“‘The Heirloom’ doesn’t follow a conventional climactic structure, and its brittle, dry humor and abstract tone may not appeal to everyone. However, Petrie’s inventive vision is admirable…”
“By the end of Carroll’s frustrating and stylistically unambitious film, it seems that there was a deeper, more interesting story just out of reach.”
“Perhaps if ‘Crawdaddy’ played into the idea of an unremarkably ordinary man becoming a sex symbol for comedy, the sillier tone elsewhere wouldn’t feel as disparate from the rest.”
“Unapologetically queer, sexy, messy and celebratory all at once, by refusing to conform to mainstream norms and instead leaning into the chaos, ‘Queens of Drama’ is utterly transcendent.”